
Ekow Eshun outlines his curatorial vision for the next Site Santa Fe biennial
The Art Newspaper
12 NOV 2026
13th SITE SANTA FE International Biennial
Opening June 11, 2027, There Are Other Worlds brings together artists from around the world to explore imagination, possibility, and new ways of seeing in uncertain times. Featuring new commissions by Edgar Arceneaux, Firelei Báez, Sanford Biggers, Raven Chacon, Lotus L. Kang, Cauleen Smith, and others. Curated by Ekow Eshun.
June 11, 2027 — January 10, 2028
New Mexico provides both the setting and an important point of departure for There Are Other Worlds. The region’s layered histories of Indigenous presence and displacement, migration, cultural exchange, and artistic experimentation offer a rich context in which to consider how different worlds might materialize.
The Biennial places contemporary artistic practices in conversation with New Mexico’s distinctive cultural histories, convening artists from around the world who explore issues of belonging, transformation, survival, ecology, and the future.
“Bringing the Biennial to Santa Fe again is an opportunity to connect artists and ideas from around the world with a place that has such a deep and distinctive history of artistic experimentation,” said Louis Grachos, Phillips Executive Director of SITE SANTA FE. “We’re excited to present the thirteenth iteration of the Biennial and to welcome this incredible group of artists to Santa Fe.”
As with the previous International Biennial, There Are Other Worlds will extend beyond SITE SANTA FE to various locations throughout the city. Together, these venues will invite audiences to experience the Biennial across a range of cultural and architectural contexts.

Identity by Studio LHOOQ
CURATOR
Ekow Eshun OBE is a distinguished curator, writer, and broadcaster, renowned for his multifaceted contributions to contemporary culture. Described by Vogue as “the most inspired—and inspiring—curator in Britain”, he has staged acclaimed exhibitions internationally and was awarded the Association for Art History’s Curatorial Prize 2023.
A trailblazer in British culture, he made history as the first Black head of a major UK arts institution, as Director of the Institute of Contemporary Arts in London. As Chairman of the Fourth Plinth in Trafalgar Square, he leads one of the world’s most iconic public art projects.
Eshun’s writing—featured in outlets such as The New York Times, Financial Times, and Vogue, among others—reflects his expansive intellectual vision. He is also the author of books including The Strangers: Five Extraordinary Black Men and the Worlds That Made Them, winner of the LA Times Book Prize for biography, and Black Earth Rising: Colonialism and Climate Change in Contemporary Art.
He is a Fellow of the Royal Society of Literature and holds an honorary doctorate from London Metropolitan University.

Photo by Brad Trone
CURATORIAL STATEMENT
There Are Other Worlds unfolds in three interconnected sections:
Worlds Beyond explores the space between inner and outer worlds, drawing on perception as both a sensory and psychological condition. Informed in part by the legacy of New Mexico’s Transcendental Painting Group, the section considers interiority as a site from which new routes to meaning and ways of seeing can emerge.
Worlds in Common reflects on artists’ imaginings of alternative possibilities for community and kinship. Through speculative and poetic practices, artists propose ways in which worlds might be opened up for forms of existence and belonging that exceed the sedimented binaries and hierarchies of power characteristic of contemporary society.
Worlds Alive expands the exhibition beyond the human, exploring ecological interdependence and the relationships among humans, animals, plants, landscapes, migration, and memory. The works question human-centered narratives and imagine the planet as an interrelated web of reciprocal dependencies and shared vulnerabilities.

ARTISTS
John Akomfrah
Hurvin Anderson
Edgar Arceneaux
Firelei Báez
Sanford Biggers
Frank Bowling
Nikesha Breeze
Raven Chacon
Olafur Eliasson
Ellen Gallagher
Cy Gavin
Jeffrey Gibson
Alexandra Daisy Ginsberg
Louise Giovanelli
Nan Goldin
Rafik Greiss
Shilpa Gupta
Sky Hopinka
Klára Hosnedlová
Marguerite Humeau
Tomashi Jackson
Arthur Jafa
Julianknxx
Hayv Kahraman
Lotus L. Kang
Idris Khan
Bharti Kher
Christopher Kulendran Thomas
Cannupa Hanska Luger
Danielle Mckinney
Delcy Morelos
Michael Namingha
Eamon Ore-Giron
Mohammed Sami
Zineb Sedira
Rose B. Simpson
Emilija Škarnulytė
Cauleen Smith
Tavares Strachan
Emma Talbot
Sandra Vásquez de la Horra
Carmen Winant
COLLABORATORS
SPONSORS
There Are Other Worlds is generously supported by the Friends of the International Biennial; Anonymous; AG Foundation, Cornelia Bryer and Herman Siegelaar; The Emerling-Torres Family Foundation, in memory of A. Thomas Torres, AIA; Courtney Finch Taylor and Scott Taylor; Helen Frankenthaler Foundation; The Hearthland Foundation; Anne and John Marion; Joan and Mitchell Markow; A. Alfred Taubman Foundation; Robert Lehman Foundation; Thornburg Investment Management; The Vista Foundation; the City of Santa Fe Occupancy Tax Advisory Board, and New Mexico Arts, a division of the Department of Cultural Affairs.
Additional support is provided by the City of Santa Fe Arts and Culture Department and the 1% Lodgers Tax.
Anonymous, Sarah Arison, Cornelia Bryer and Herman Siegelaar, Bettina Bryant, Marleen De Bode and Marc Olivié, Laura Donnelley, Carolyn Eason and James Rubin, Bobbie Foshay and Tom Turney, Maria and Edward Gale, Diane and Werner Grob, Andrew and Suzanna Grossman, Marti Meyerson and Jamie Hooper, Nancy Parker Magoon, Joan and Mitchell Markow, Andrew Rudnick, Courtney Finch Taylor and Scott Taylor, Andrew Wallerstein and Mary Sloane, and Rosina Yue.
Learn more about the Friends of the International Biennial Program

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IMAGE CREDITS
Jeffrey Gibson, THIS BURNING WORLD, 2022. Courtesy of the artist and ICA SF. Photo by Impart Photography
There Are Other Worlds. Design by Studio LHOOQ
Ekow Eshun, 2026. Photo by Brad Trone
Tavares Strachan, Black Madonna (Louise Little and Malcolm X), 2022. Courtesy of the artist and Perrotin. Photo by Claire Dorn