In a kind of Duchampian autopsy of their own culture, these two photographers allow the audience to observe a metamorphosis of context within a pure and classical object of simple representation. Their paradoxical and contradictory way of grouping subjects allows for no melancholic statements over past and present circumstances. As observers we see a language deleting or transforming—in slow motion—all the meaning and use of its former vocabulary.
Related Exhibitions
TRUCE
TRUCE: Echoes of Art in an Age of Endless Conclusions engaged 27 artists from 20 countries in dialogues with local voices, featured work connecting isolated individuals to communal forces, and contested our culture’s language of violence as “the only transmitter of meaning.”
