VISIT US
  • Monday: 10am-5pm
  • Tuesday-Wednesday: Closed
  • Thursday: 10am-5pm
  • Friday: 10am-7pm
  • Saturday: 10am-5pm
  • Sunday: 10am-5pm
OUR LOCATION

1606 Paseo de Peralta
Santa Fe, NM 87501
505-989-1199
info@sitesantafe.org

BACK TO ARTISTS

Maria Lassnig

Maria Lassnig was born in 1919 in Carinthia, Austria and passed away in 2014 in Vienna. Underappreciated for most of her life, Lassnig is now rightfully recognized as one of the most important Post-War painters.

From a young age, Lassnig began to explore the human figure through drawing. She studied painting at the Vienna Fine Arts Academy but found the art scene at that time to be too limiting. She moved to Paris in 1960 and then to New York in 1968, continually exploring how to represent the body as it feels to inhabit rather than how it appears from the outside – a concept which Lassnig named Körperbewusstseinsmalerei (“body awareness painting”). On returning to her native Austria in 1980, she became the country’s first female professor of painting. She also taught animation during her time at the Vienna University of Applied Arts.

Her life’s work won her many accolades including the Grand Austrian State Prize in 1988 and the Golden Lion for Lifetime Achievement in 2013 at the 55th Venice Biennale. She has been the subject of one person exhibitions at the Albertina Museum, Vienna; Deichtorhallen Hamburg; Kunsthaus Zurich; MoMA PS1, Long Island City, New York; Museum Ludwig, Cologne; Serpentine Gallery, London; Stedelijk Museum Amsterdam; and Vienna Secession among others. Lassnig represented Austria in the 1980 Venice Biennale alongside Valie Export, and she participated in Documenta in Kassel, Germany in 1982 and 1997.

Related Exhibitions

The Dissolve

A paradigm shift in contemporary art is rare and hard to recognize at its inception, but that is what curators Sarah Lewis and Daniel Belasco did in The Dissolve, SITE SANTA FE’s Eighth International Biennial. The curators presented a new sensibility in the art of our time, a mingling of up-to-the-minute technology and traditional visual arts (painting, drawing, and sculpture) with dance, music, and film. The fundamental form of this new work was animation, uniting the technological (the camera) with the handmade (drawing).

VIEW EXHIBITION

Disparities and Deformations

Disparities and Deformations: Our Grotesque brought together a diverse group of contemporary artworks that respond and give new substance to the sense of emotional and logical uncertainty inherent in the grotesque, described by the 19th-century writer Jean Paul as a state of “soul dizziness.” The exhibition tracked the incongruous combination of disparate forms and ideas in the work of internationally renowned artists of different generations, coming from various cultural contexts, and working with different processes and ideas.

VIEW EXHIBITION