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Luchezar Boyadjiev

Luchezar Boyadjiev's work is about personal interpretation of social processes, about the interaction between private and public, about urban visuality and the world of today split between utopia and dystopia. His media is installation, photography, drawing, objects, text, video, and performative lectures.

Selected exhibitions are: the solo shows “Dystopian Cozy”, Sariev Contemporary, Plovdiv (2018); “Luchezar Boyadjiev. Sic transit media mundi /the present is too short and rather tight/”, Sofia City Art Gallery, Sofia (retro) (2018); “Places of Wisdom”, ICA-Gallery, Sofia (in partnership with Open Arts-Plovdiv, 2016); “Not a Library Artist either”, SALT, Istanbul (2013); “Artist in the Storage” from “The Other Eye” series, City Art Gallery, Sofia (2010); and the group shows in 2016-17 “Economize”, Ludwig Museum, Budapest, as well as “Symptoms of Society”, Guangdong Museum of Art (Guangzhou) and Zhejiang Art Museum (Zhejiang Sheng), China; in 2016 “Cold Wind from the Balkans”, PERA Museum, Istanbul; “Upside Down: Hosting the Critique”, MCA, Belgrade, and “Low-budget Utopias”, Moderna Galerija, Ljubljana; in 2015 “Inside Out”, City Gallery, Ljubljana; “The Grammar of Freedom”, GARAGE Museum of Contemporary Art, Moscow, and “Art for Change 1985-2015”, City Art Gallery, Sofia; in 2014 “Disconsent”, CCA “Ancient Bath”, Plovdiv; in 2013 “Economics in Art”, MOCAK, Cracow; in 2012 “The Best of Times, the Worst of Times”, 1st Biennial, Kiev, and “The Eye Never Sees itself”, 2nd Biennial, Yekaterinburg; and in 2011 “The Global Contemporary”, ZKM, Karlsruhe.

Related Exhibitions

Lucky Number Seven

Process, experimentation, and collaboration were the hallmarks of Lucky Number Seven, which proposed an alternative to the biennial as an international mega-exhibition studded with big-name artists. All of the works for Lucky Number Seven were site-inspired commissions not intended to exist as works of art beyond the exhibition close.

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