Kent Monkman is an interdisciplinary Cree visual artist. A member of Fisher River Cree Nation in Treaty 5 Territory (Manitoba), he lives and works in New York City and Toronto.

Known for his thought-provoking interventions into Western European and American art history, Monkman explores themes of colonization, sexuality, loss, and resilience—the complexities of historic and contemporary Indigenous experiences—across painting, film/video, performance, and installation. Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle often appears in his work as a time-traveling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples.

Monkman’s painting and installation works have been exhibited at institutions such as The Metropolitan Museum of Art; Musée des Beaux-Arts de Montréal; Musée d’artcontemporain de Montréal; The Royal Ontario Museum; Crystal Bridges Museum of American Art; Hayward Gallery; Witte de With Centre for Contemporary Art; Musée d’art Contemporain de Rochechouart; Maison Rouge; Philbrook Museum of Art; Palais de Tokyo; and the Hood Museum at Dartmouth College. He has created site-specific performances at The Metropolitan Museum of Art; The Royal Ontario Museum; Compton Verney, Warwickshire; and The Denver Art Museum. Monkman has had two nationally touring solo exhibitions, Shame and Prejudice: A Story of Resilience (2017-2020), and The Triumph of Mischief (2007-2010).

Monkman’s short film and video works, collaboratively made with Gisèle Gordon, have screened at festivals such as the Berlinale (2007, 2008) and the Toronto International Film Festival (2007, 2015). Monkman is an Officer of the Order of Canada (2023) and the recipient of the Ontario Premier’s Award for Excellence in the Arts (2017), an honorary doctorate degree from OCAD University (2017), the Indspire Award (2014), and the Hnatyshyn Foundation Visual Arts Award (2014).