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Dziga Vertov

Born in 1896 in Bialystok, Poland, Dziga Vertov moved with his family to Moscow in 1915. He became an avant-garde filmmaker and cinema theorist primarily known for his documentaries on Soviet life in the 1920s and early '30s. Vertov valued the camera over the human eye for its ability to objectively capture reality, leading a group of filmmakers called the Kinoki (the Film-Eye Group) in an effort to challenge theatricalism in film.

He ventured into animation with films such as the political cartoon Soviet Toys, originally shown in conjunction with Vertov's newsreels. Vertov's animated work, truncated by the rise of Social Realism in 1934, is often overlooked in accounts of his career. He died in 1954.

Related Exhibitions

The Dissolve

A paradigm shift in contemporary art is rare and hard to recognize at its inception, but that is what curators Sarah Lewis and Daniel Belasco did in The Dissolve, SITE SANTA FE’s Eighth International Biennial. The curators presented a new sensibility in the art of our time, a mingling of up-to-the-minute technology and traditional visual arts (painting, drawing, and sculpture) with dance, music, and film. The fundamental form of this new work was animation, uniting the technological (the camera) with the handmade (drawing).

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